FANTASTiC | 2025年3月15日 | 334.20 MB
《Biopoiesis》结合实地录音与声音设计领域，标志着乌拉圭制作人Lechuga Zafiro在Rubicon厂牌的首发之作。”我进行了为期9天的实地录音之旅，穿越乌拉圭靠近大西洋的数个亚热带保护区。茂密原生森林、咸味海岸线与荒僻土路构成采声场域，我在此捕捉了构成整套音源的所有地声（geophony）与生物声（biophony）。青蛙鸣叫化作合成器音色，鸟啼转为贝斯线条，木裂水溅演变为鼓组元素。翼翅拍击、喉部震颤与肢体摩擦声孕育出怀旧氛围铺底、适合俱乐部的合成器音色、能量感十足的鼓组以及带有南美风情的节奏。” 这些存续百万年的声景在Lechuga Zafiro构建的生态音域中重获新生，成为声音合成的种子。
所有音频使用Sound Devices 633录音机搭配Sennhe416话筒、手工压电式麦克风及Sony PCM-D100设备采集，以96kHz采样率录制并处理。
视觉设计：Valeria Montero
包含243个采样
Rubicon生物自生论WAV范特西克
FANTASTiC | 15 March 2025 | 334.20 MB
Biopoiesis lies at the intersection of field recording and sound design, marking Uruguayan producer Lechuga Zafiro’s first release on Rubicon. “I went on a 9-day field recording trip through various protected subtropical areas close to the Atlantic Ocean in Uruguay. Thick native woods, salty coasts, desolated dirt roads were the scenarios where I captured all the geophony and biophony that make up every sound present in the pack. Frogs become synths, birds become bass, wood cracks and water splashes become drums. Nostalgic pads, club-friendly synths, energic drums and South-American influenced rhythms are born out of wings flapping, throats flexing, legs scraping.” Sounds that are millions of years old find new life––seeds for synthesis in Lechuga Zafiro’s biome.
All sounds were recorded using a Sound Devices 633 with Sennheiser MKH416, hand-made piezoelectric mics and a Sony PCM-D100. Captured and processed in 96khz.
Artwork by Valeria Montero.
243 Samples
